The Tempest (The Storm). Giorgione, 1477-1511. Artist : painter Museo dell'Academia. ID=IVA still image Painting eng This painting marks a moment of capital importance in the renovation of the Venetian style painting.The fascination of the painting arises from the pictorial realization of the illustrative elements. In the vibrant brightness which immediately precedes the breaking of the storm the chromatic values follow one another in fluid gradations achieved by the modulation of the tones in the fused dialectic of light and shadow in an airy perspective of atmospheric value within a definite space. Completely liberated from any subjection to drawing or perspective, colour is the dominant value in a new spacial-atmospheric synthesis which is fundamental to the art of painting in its modern sense. This painting marks a moment of capital importance in the renovation of the Venetian style painting.The fascination of the painting arises from the pictorial realization of the illustrative elements. In the vibrant brightness which immediately precedes the breaking of the storm the chromatic values follow one another in fluid gradations achieved by the modulation of the tones in the fused dialectic of light and shadow in an airy perspective of atmospheric value within a definite space. Completely liberated from any subjection to drawing or perspective, colour is the dominant value in a new spacial-atmospheric synthesis which is fundamental to the art of painting in its modern sense. Style: Italian High Renaissance. School: High Renaissance. Movement: Renaissance. Venetian. Painting; Art and Art History Collection (Saskia)
The Tempest (The Storm).
Giorgione, 1477-1511. Artist : painter
Museo dell'Academia. ID=IVA
still image
Painting
eng
This painting marks a moment of capital importance in the renovation of the Venetian style painting.The fascination of the painting arises from the pictorial realization of the illustrative elements. In the vibrant brightness which immediately precedes the breaking of the storm the chromatic values follow one another in fluid gradations achieved by the modulation of the tones in the fused dialectic of light and shadow in an airy perspective of atmospheric value within a definite space. Completely liberated from any subjection to drawing or perspective, colour is the dominant value in a new spacial-atmospheric synthesis which is fundamental to the art of painting in its modern sense.
This painting marks a moment of capital importance in the renovation of the Venetian style painting.The fascination of the painting arises from the pictorial realization of the illustrative elements. In the vibrant brightness which immediately precedes the breaking of the storm the chromatic values follow one another in fluid gradations achieved by the modulation of the tones in the fused dialectic of light and shadow in an airy perspective of atmospheric value within a definite space. Completely liberated from any subjection to drawing or perspective, colour is the dominant value in a new spacial-atmospheric synthesis which is fundamental to the art of painting in its modern sense.
Style: Italian High Renaissance.
School: High Renaissance.
Movement: Renaissance.
Venetian.
Painting;
Art and Art History Collection (Saskia)