Thatch at Montcel.

Thatch at Montcel. Gogh, Vincent van, 1853-1890. Artist : painter Musee d'Orsay. ID=FPO still image Painting eng In Auvers-sur-Oise, back in a village community such as he had not known since Nuenen, four years earlier, van Gogh worked at first enthusiastically; his choice of subjects such as fields of corn, the river valley, peasants' cottages, the church, and the town hall reflects his spiritual relief. A modification of his style followed: the natural forms in his paintings became less contorted, and in the northern light he adopted cooler, fresh tonalities. His brushwork became broader and more expressive and his vision of nature more lyrical. Everything in these pictures seems to be moving, living. In Auvers-sur-Oise, back in a village community such as he had not known since Nuenen, four years earlier, van Gogh worked at first enthusiastically; his choice of subjects such as fields of corn, the river valley, peasants' cottages, the church, and the town hall reflects his spiritual relief. A modification of his style followed: the natural forms in his paintings became less contorted, and in the northern light he adopted cooler, fresh tonalities. His brushwork became broader and more expressive and his vision of nature more lyrical. Everything in these pictures seems to be moving, living. Style: Dutch Post-Impressionist. School: Post-Impressionist . Movement: Dutch Post-Impressionism. Dutch. Painting; Art and Art History Collection (Saskia)

Thatch at Montcel.

Gogh, Vincent van, 1853-1890. Artist : painter

Musee d'Orsay. ID=FPO

still image

Painting

eng

In Auvers-sur-Oise, back in a village community such as he had not known since Nuenen, four years earlier, van Gogh worked at first enthusiastically; his choice of subjects such as fields of corn, the river valley, peasants' cottages, the church, and the town hall reflects his spiritual relief. A modification of his style followed: the natural forms in his paintings became less contorted, and in the northern light he adopted cooler, fresh tonalities. His brushwork became broader and more expressive and his vision of nature more lyrical. Everything in these pictures seems to be moving, living.

In Auvers-sur-Oise, back in a village community such as he had not known since Nuenen, four years earlier, van Gogh worked at first enthusiastically; his choice of subjects such as fields of corn, the river valley, peasants' cottages, the church, and the town hall reflects his spiritual relief. A modification of his style followed: the natural forms in his paintings became less contorted, and in the northern light he adopted cooler, fresh tonalities. His brushwork became broader and more expressive and his vision of nature more lyrical. Everything in these pictures seems to be moving, living.

Style: Dutch Post-Impressionist.

School: Post-Impressionist .

Movement: Dutch Post-Impressionism.

Dutch.

Painting;

Art and Art History Collection (Saskia)