The Portinari Altar ( Left panel). Goes, Hugo van der, 1435?-1482. Artist : painter Galleria degli Uffizi. ID=IFU still image eng The Portinari Altar (1476-78) is his only authenticated surviving work, around which others can nevertheless be grouped with some certainty: Monforte Altar, The Fall of Adam, one of his earliest surviving works, and several others. Hugo van der Goes occupies a unique position in painting history because of his insight into character and class and through his intensely observant, almost surreal, rendering of nature and space. Hugo The Portinari Altar (1476-78) is his only authenticated surviving work, around which others can nevertheless be grouped with some certainty: Monforte Altar, The Fall of Adam, one of his earliest surviving works, and several others. Hugo van der Goes occupies a unique position in painting history because of his insight into character and class and through his intensely observant, almost surreal, rendering of nature and space. Hugo Style: Netherlandish Northern Renaissance. School: Northern Renaissance. Movement: Renaissance. Flemish. Painting; Art and Art History Collection (Saskia)
The Portinari Altar ( Left panel).
Goes, Hugo van der, 1435?-1482. Artist : painter
Galleria degli Uffizi. ID=IFU
still image
eng
The Portinari Altar (1476-78) is his only authenticated surviving work, around which others can nevertheless be grouped with some certainty: Monforte Altar, The Fall of Adam, one of his earliest surviving works, and several others. Hugo van der Goes occupies a unique position in painting history because of his insight into character and class and through his intensely observant, almost surreal, rendering of nature and space. Hugo
The Portinari Altar (1476-78) is his only authenticated surviving work, around which others can nevertheless be grouped with some certainty: Monforte Altar, The Fall of Adam, one of his earliest surviving works, and several others. Hugo van der Goes occupies a unique position in painting history because of his insight into character and class and through his intensely observant, almost surreal, rendering of nature and space. Hugo
Style: Netherlandish Northern Renaissance.
School: Northern Renaissance.
Movement: Renaissance.
Flemish.
Painting;
Art and Art History Collection (Saskia)